Collection

The first mike system released in 1985. This condenser can be precisely positioned the way you prefer.

LCM85T Saxopone mic for Alto, Tenor, and Baritone. Satellite clamp with shock-free mounts.

A Dynamic mic for miking at high SPL. Fat and warm sound. Shock free mounted. This SDSmd model with goosneck clip is attractive priced!

LCM100 offers the ultimate solution for double bass: it guarantees a natural sound reproduction of digital studio quality, from the subtlest bow to heavy jazz solos.

Dynamic microphone for miking at very high sound levels. Features a thick and very warm sound. Very stable & Shock free mounted. Direct XLR out to mixer

This elegant mic-system consists of a light and translucent tube and can be used with a mute. It's designed together with the engineers of Miles Davis Don Kurek and Patrick Murray.

Dynamic mic with tripod clamp and transmitter including charger & pouch.
without receiver etc

A soprano creates a warm and rich sound at the middle part. You need a double mike system in order to get a perfect sound reproduction of the whole instrument'

Designed to handle problems inherent in miking clarinets !

LCM77F microphone for trumpet & flugel. Clip-on mic is a fully adjustable goose-neck clamp which clips onto the bell of your instrument for easy switching between trumpet and flugel during a performance.

2 (bigger) screws:
to fix the clamp to the gooseneck (front view)
for easier grip

Blender only
Both signals of a piezo element (PU-4 or the one you're using already) can be mixed with the BS-2 type pre-amp: it has a piezo input and a mic input with adjustable volume for both piezo and mic, a balance control between the piezo and mic,

Wireless LDM94W mic only: without receiver etc.
including pouch and charger (loader to charge the battery)

HL preamp (Line level)

Wireless LCM85W mic only:
without receiver etc. including pouch and charger
(loader to charge the battery)

Clip for bell only for LCM85/SDSmd gooseneck clampsystem